Talsur Russia
Talsur — doom metal one-man band formed on October 11, 2015 in Penza, Russia. The band consists of only one musician Vitaly
Surkov.
Lyrical themes relate to despair, loneliness, unhappy love, fear of the inevitability of death, struggle with fate, as well as the contemplation of nature.
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supported by 47 fans who also own “Jack The Ripper”
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue.
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Life has gone on long enough
by NONE
supported by 42 fans who also own “Jack The Ripper”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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Contagiuum and the Landscapes of Failure
by Subterranean Disposition
supported by 40 fans who also own “Jack The Ripper”
A dizzying array of textures... and moments.
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Vicious funeral doom from Portugal, “Ossadas” hammers away like a rain of comets, fiery & relentless.
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In Somber Dreams
by Mother of Graves
featured on Bandcamp Radio Jan 22, 2021
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Oakland, CA quartet LYCUS return with a new album on Relapse Records. Heavy, epic, mournful, and replete with art by Paolo Girardi.
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supported by 40 fans who also own “Jack The Ripper”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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